Your station is hosting a Third Day concert. Mac Powell has just uttered his last, “Yeah”, and your station’s best air talent takes center stage as the applause is subsiding.
Her first words reveal how in tune she is to the moment.
She may exclaim approval for the band, inviting the crowd to join in. Or she may insensitively launch into, “A priest, a rabbi, and a nun walk into a bar….”, making others wonder if they have just shared the same experience.
In its most basic form a music radio station has just two components – 1) the music, and 2) everything else. Music is designed to do one thing. Everything else is designed for something else.
Some of that something else is to connect to what’s happening NOW in the listener’s life.
Will I be late for work?
What will the medical tests show?
Why doesn’t she love me?
I don’t feel like a good parent right now.
Chick-fil-A‘s “Every Life Has a Story” communicates the impact of envisioning your customer (listener) as a complete person, with a life and a story, not just someone who represents money to you.
We’ve all heard the stories. “And then a song came on the radio…” connects to the deepest place in a life journey and the comfort from listening that song at that time on your station.
When THAT connection is made (and it is made far more than we know), think of the impact if it didn’t STOP when the talent began talking. What if there wasn’t a purposely emotional-less song tag separating the music and talent? What if the talent wasn’t trying to get past all the station business they have to do to get to the stuff they want to do?
Maybe someday we’ll sound like we were having the very same experience as the listener.
When that day comes it will transform the format.
