Tag Archives: Apple

Are you more active than your fans are?

“The time is now for marketers and businesses to go beyond the product conversation to understanding, sparking and sustaining the passion conversation for why your business is in business.” From The Passion Conversation

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One of my favorite ideas is from the book “The Passion Conversation“, coauthored by John Moore. It suggests you Google “I love (your station),” and then “I hate (your station).”

Now you can begin to see what the real conversations about your station are. So I did it for a station I know, and I found a suggestion someone listed because they were having a hard time in life, and another person who hated all the Christmas music on the station.

But my biggest surprise was that there was far more of the station talking about itself than any listener conversation. They’re doing a good job of letting people know about the station, but there didn’t seem to be a lot of response from listeners.

I’m not sure what that imbalance means, except that there’s a lot more self-talk than Passion Conversations. There’s a lot more product conversation than passion conversation.

 

 

Tommy Kramer Tip #111 – Analytics and You

Professional baseball is heavy into analytics, often referred to as ‘sabermetrics.’ They study every player’s performance in every possible situation, and make decisions accordingly.

As a PD or air talent today, PPM is our new sabermetrics drinking fountain. With all the new analytics—being able to see exactly where people lost interest during a break, the ratio of male artists to female artists, where spotsets should go, etc.—it can seem like data is making all the decisions. (And that’s not even counting the importance of an actual social media strategy.)

I like math. I was the little kid who could rattle off baseball players’ stats. Analytics are fun—and if you need an example of how they can be used, look at that dramatic “three players on the right side of the infield” shift in baseball today that drives most batters crazy. That’s a direct result of analytics making teams better by being smarter. (And “the shift” just looks so cool.)

So dive on in! Use every single tool that can tell us what the audience wants (and what’s ineffective, too). Personally, I’ve made an effort to absorb as much as I can about the workings of PPM from people who are much smarter than me, with the sole goal of keeping on learning, moving forward, all the time.

However, from a coaching perspective, let me add this:
All the analytics in the world won’t help you be different, be original, or make that person in the car or office think of you as a “must” listen. You still have to MATTER to the listener, or you’re just the voice interrupting the playlist. More on that in the next tip.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Innovate the Pixar way

“The thing about working at Pixar is that everyone around you is smarter and funnier and cleverer than you and they all think the same about everyone else. It’s a nice problem to have.” – Andrew Stanton

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Authors Bill Capodagli & Lynn Jackson, in their book “Innovate the Pixar Way: Business Lessons from the World’s Most Creative Corporate Playground,” suggest that Pixar is a “playground” that will inspire you to:

– Dream like a child.
– Believe in your playmates.
– Dare to jump in the water and make waves.
– Do unleash your childlike potential

I don’t know about you, but I want to work in a playground like that!

One other Pixar secret is that they pay both the creative and technical people the same money.  They realize they are BOTH important to their success.  The greatest story you come up with isn’t going to do much if it isn’t translated through the technology.  Think programming and IT, or programming and engineering.

Everyone at your organization has a place and purpose, and if they don’t you need to get rid of them.  True leaders will understand the value of all, not just one.

 

Tommy Kramer Tip #110 – Seinfeld on the use of Music

On June 9th, 2014 at the Paley Center in New York, Jerry Seinfeld talked to David Letterman about his “Comedians in Cars Getting Coffee” web series.

About 19:25 into the interview, Letterman comments on the incidental music that moves “CICGC” from one point to the next. That’s where you see coffee being poured, Jerry and the guest walking into the diner, etc.

Jerry then compares using music in this show to using it in the “Seinfeld” TV show, saying “If you put music under a scene that has actual written narrative, it ruins the scene. But since this has no drive, no point, the music doesn’t fight with it and it just seems to kind of carry…(it) fills in the little gaps.

Now I don’t think that’s 100% true for radio, because our medium is a little different; we don’t have video to engage the listener. But I do think there is something to be said for asking yourself “Do I have a narrative?” “Does it need music?” “Am I talking over music when I should be just talking?” On a lot of stations, it’s almost getting to where jocks CAN’T talk without a music bed under them. Some stations even require it. (Bless their pointed little heads.)

I recommend using music when it’s appropriate, like a John Williams movie soundtrack – to heighten the mood or the drama of a given ‘scene’. But if it’s just generic uptempo Production music, used as a crutch to create an artificial sense of momentum (which it doesn’t actually do), you’re just trying to cover up the fact that you don’t have a narrative; you’re not telling a story.

Now that I think of it, maybe that would be a good bit in itself, taking real life, semi-boring or technical conversations about brake shoes or roof repair, and putting ridiculous music underneath them.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

If You’re Seeing Enemies Within You Need To Get Out

“Employers have gone away from the idea that an employee is a long-term asset to the company, someone to be nurtured and developed, to a new notion that they are disposable.” – Barbara Ehrenreich

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When you talk to a lot of people everyday, you can see things through different eyes.  Sometimes I wind up in conversations where someone is complaining…a lot…about distrust of the people they work for. It seems like there’s a return to the thinking of the past where employees are just cogs who are expected to unthinkingly follow directions. Remember the grey people from the Apple TV spot named “1984?”

But the new twist on this is that you must distrust them, and always make sure they aren’t taking advantage and are working hard enough. There’s even a business rationale for this – increased efficiency. The “do more with less” strategy.

Somewhere someone decided to write a business book about efficiency, taking the perspective people are lazy and could do more than they were. That concept was sufficiently simplistic and shallow enough that it became an instant “quick fix” success. Cutting the workforce by 40% became a badge of honor.

This has all but destroyed growth in radio. First PD’s were cut, and one was in charge of 3-4 stations. Then high paying talent that wouldn’t take a 50% cut. Then “unnecessary” executives, and finally, salespeople. So many of the top executives have replaced long-term concern for the industry with their own short-term financial goals. Leadership has been replaced with dictatorship, so naturally the answer to self-inflicted problems is to blame those shiftless employees.

We’ve divided into three types of organizations, (1) those who really don’t care about people, (2) those who distrust people, and (3) those who see a time like this as one to build great, people-oriented organizations that produce crazy good return.  Think Zappos.

The people I work with are amazing, dedicated, hard-working and even fun to be around.  We ALL know that we are all working toward the same end.  I don’t have a good guy/bad guy mentality.  If someone isn’t hardworking or dedicated, then it calls for some tough conversations and action.  I won’t subject my people to a cancer of dissatisfaction.

If you really think about the future, like Jefferson did, while acting in the day, you understand the value of talent, good leaders, and hard workers as an asset of the organization.  Not a liability, not a line item expense, an asset.  Spreadsheets don’t make organizations strong or innovative or valuable…or even failures.  It’s your people.

 

 

Tommy Kramer Tip #109 – Everything’s the Opposite

This tip is sort of dual-purpose…a guideline for Management and Programming, and how it should affect you as an air talent.

The late, great singer Harry Nilsson used to say “Everything’s the Opposite,” meaning that everything turns out to be the opposite of whatever it claims to be. That’s an exaggeration, of course, but there’s a lot of truth in it. (“Military Intelligence” and “free” offers come to mind.) Radio’s full of examples.

Let’s take a look at a few typical claims, and then the other side of the coin—what the listener thinks:

Your claim: “50-minute music hours.”
Listener’s thought: We can all add and subtract. Eventually you’re going to spew out 10 minutes of commercials.

Your claim: “No-talk triple plays.”
Listener’s thought: So when you open the mike, that’s a bad thing? Surely you didn’t intend to say that. Oh, and those recorded identifiers or Imaging pieces you play between songs? They’re TALK.

Your claim: “No-repeat work days.”
Listener’s thought: Wait a minute. That means that I’ll only hear my favorite song once in eight hours. So if I tuned in and only heard the end of it, I’m pretty much S. O. L. for the rest of the day.

I’ve heard jocks unthinkingly say “Hope you’re having a great day!” when there are snowdrifts eight feet high, and the roads are impassable.

And we’ve all heard stations use some form of “We care about you and your family,” but every contest winner they have is identified first as a number. (“Hi, you’re number nine.”) I don’t know about you, but I don’t assign numbers to my family members. “Have you met my sister, Number 7?” seems rather impersonal.

Why not just give up those empty claims and failed gimmicks? Make your station (and your show, on the air) about Values, and about being of service. People will notice. The only Positioning Statement you really need is the name of the station. Then PROVE what you are.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Who Can You Trust

“Trust is the lubrication that makes it possible for organizations to work.” ~Warren Bennis

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It was over 15 years ago when I sat in the GM’s office for a performance evaluation.  I thought this one would be a breeze because I’d just brought a station to number one 25-54, and then number one 12+, and we had a graduated bonus plan – the better you do the more you make.

But when we got to that point he quoted a figure that was way off from what it should have been.  When I asked him about it, he told me if he followed his own bonus agreement it would be too much money.  So I got 60% of what I should have.

I was gone from that station in 6 months.  I could no longer trust the GM in  everything going forward.

Trust is a mandatory issue when you’re working with your “boss.”  If it isn’t there you’ll question everything he or she says.  You’ll think suspiciously of everything coming from that person.

You’ve probably been in those circumstances at one time or another.  It’s an unfortunate ailment of many.  But, have you ever wondered if you’re one  of them?

Many times I see people in charge who don’t want to address an issue, especially a “people issue.”  They’ll tell a little white lie like, “You’re doing fine,” when asked about performance.  Or they may avoid talking to someone about a problem, hoping it’ll go away.  Or there are the people in charge who just don’t respect their own people.

That may seen different than the guy who looked me in the eye and said, “Too bad, this is what you’re getting,” but those little things can erode trust just as much.

A lack of integrity is a lack of integrity, no matter how small.

 

 

Tommy Kramer Tip #108 – Good phone calls don’t just “happen”

This tip is specifically for music radio.

Good phone calls don’t just happen; you have to create an atmosphere that fosters them. When someone opens up his/her heart or fragility to you, that’s not an accident. If they thought you’d be rude or dismissive or not really listen to them, they’d never call you. And it’s not 1995 anymore. Nowadays, the standard throwing out a topic, then saying “What do you think?” just sounds like you want the listener to do the show for you. (I call this “using the listeners as props.”) To get really good phone calls, give me something to REACT to, and you can’t keep me from telling you what I think. You don’t have to ask.

A remedial lesson: How to put a call on the air

When you run the call, just say your thing & then cut to the caller’s comment. You don’t need “Hi, how are you” stuff, and you don’t need to say something like “Darren’s on the line…” (Where else would he be, on the toaster?) or “Jennifer has an idea…” We don’t “narrate” like that in real life, and we don’t “introduce” another person’s comment at the dinner table. And by the way, no one cares about the caller’s name, unless it’s a prize winner. (In Talk Radio, however, the name does serve a couple of purposes—to distinguish one caller from another, and to mention the city or area the call is from.)

The main thing that will set you apart is if you establish a really high standard for phone calls. Just because someone calls doesn’t mean they should get on the air. Like a film editor making cuts in a movie, if it’s not great, leave it out.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Leadership Beatles’ Style

 

“My model for business is The Beatles. They were four guys who kept each other’s kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That’s how I see business: great things in business are never done by one person, they’re done by a team of people.” – Steve Jobs

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I’ll never forget being at a Wings concert in Seattle when someone referred to the Beatles as Paul McCartney’s first backup band.  For someone who grew up listening to the early Beatles, it was astonishing.  They thought McCartney was the “front man” for the Beatles.

But let’s get past that ill-advised perspective of musical history to look at Steve Job’s idea that they were his business model.

John wrote the rock music, Paul wrote the pop music, George wrote the “deep thinking” music and Ringo just wrote fun music.  Ultimately they went their way as solo acts, but in their most creative and influential time together, they worked to each other’s strengths and controlled each other’s weakness.  Everyone got at least a track or two on the albums, and in concert they played each other’s songs.  More importantly, they seemed to respect each other’s strengths. They were a team, and the four together were larger than their individual careers.

Above all, they respected the differences in each other, and shared in each other’s strengths.

Unfortunately some of today’s key executives think they wrote all the songs of their organization’s music, and everyone else is part of the backup band. Everyone else in the executive band is some sort of problem.  If they’re Steve Jobs fans they selectively pick the ones that are egotistical, and ignore all the times he talked about a team.

It seems to me the Beatles not only accomplished more in their team era than their solo era, but also that they were happier.  That’s reflected in their movies “A Hard Day’s Night” and “Help!” Too bad some execs just aren’t team players.

What does it look like at your organization?  Is the executive team from the Beatles era or the Wings/Plastic Ono Band era?

 

 

 

Tommy Kramer Tip #107 – The Adventures of…

John Lennon once described American deejays as “Hi, I’m from nowhere,” meaning that compared to jocks in England, we all sounded alike to him, speaking in our “radio voices”.

If you think of it like an actor (which you should), there has to be some arc to you. Things have to come from something. (Great actors say their characters have to overcome something, and you should be able to sense that.)

I’ve mentioned this before, but to me, especially in the five different morning team shows I was part of, it wasn’t just “Hudson & Harrigan” or “Tommy & the Beamer,” it was “The Adventures of Hudson & Harrigan” or “The Adventures of Tommy & the Beamer”…just like the old TV show wasn’t just “Superman,” it was “The Adventures of Superman.”

Your show should be thought of (but not named) “The Adventures of…you.” Life IS an adventure. Radio should reflect that. If you don’t, you’re just that voice from nowhere.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.